The particular photograph to switch



  • Technical needs impose a low lighting which lends evocativeness to the space and at the same time evokes discretion and respect from the viewer. And this is something that ironically contrasts with the usual treatment of a television screen. This suggestiveness is emphasized even more by the intense and unique lighting sources that are the exposed projected images photographs themselves. Lighting is no longer external but internal. Photographs illuminate the space and are not illuminated by it. But even more evocative is the pace of the projection. In a traditional wall exhibition the viewer can concentrate in front of a photograph for several seconds tens of seconds is already an unbearable time for the photograph.

    Persistent consideration but always ends up voluntarily rejecting the his gaze from this particular photo to switch to another thus discharging his potential emotion. But during an exhibition the photographs impose and resist the viewer through their own time e-commerce photo editing increasing the intensity and prolonging the emotion. but he always ends up voluntarily averting his gaze from the particular photograph to switch to another thus discharging his potential emotion. But during an exhibition the photographs impose and resist the viewer through their own time increasing the intensity and prolonging the emotion. but he always ends up voluntarily averting his gaze from to another thus discharging his potential emotion.

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    The photographs impose and resist the viewer through their own time increasing the intensity and prolonging the emotion. claim that one is always and completely sure of the correctness of one's artistic choices and judgments. However there are many reasons that impose on the one hand their formulation and expression and on the other hand the conviction of their correctness. First of all evasion in the face of crisis is not an artistic point of view except that it leads directly to a flattening from which the wicked benefit and the genuine suffer. Then enjoyment is already a judgment since it presupposes a comparison. We enjoy based on a scale of values ​​compiled through knowledge habits and references.


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